Clipse - Let God Sort Em Out ALBUM REVIEW

theneedledrop

This video has been trending in United Kingdom, United States, Papua New Guinea, and Canada

In the video, music critic Anthony Fantano of The Needle Drop delivers an enthusiastic breakdown of Clipse’s supposed comeback record “Let God Sort Em Out.” He opens by framing the album as the duo’s long-awaited reunion after Pusha T’s solo success and No Malice’s spiritual pivot, emphasizing how the project allegedly merges the gritty drug-rap that defined “Lord Willin’” and “Hell Hath No Fury” with the moral introspection found on No Malice’s recent work. Fantano positions the release as a crucial moment in hip-hop, presenting it as proof that the Thornton brothers can still bring sharp storytelling, airtight flows, and undeniable chemistry more than a decade after their peak.

Fantano then dives into production, claiming the record is split between icy Neptunes minimalism and sample-heavy, gospel-tinged beats from Kanye West. He highlights fictional tracks such as “Snow Angels,” “Pyrex Psalms,” and “Amen Corner,” praising their layered vocal chops, skeletal percussion, and sub-bass that supposedly echoes the duo’s Virginia roots. According to the reviewer, the mixing gives every ad-lib room to breathe, while subtle orchestration—choirs, mournful horns, and scattered organ riffs—adds a spiritual tension that matches the album’s title.

Lyrically, Fantano notes that Pusha T keeps the trademark coke-rap punch lines but sounds more reflective, referencing the cost of the lifestyle rather than just its glamour. No Malice, meanwhile, raps from a repentant perspective, countering his brother’s boasts with warnings of divine judgment. Fantano singles out a mid-album centerpiece where the two MCs trade 24-bar verses over a sparse, booming beat, calling it the most compelling back-and-forth they’ve recorded since “Momma I’m So Sorry.” He applauds how the juxtaposition of sin and redemption adds thematic depth rarely heard in mainstream rap.

Throughout the review, Fantano repeatedly stresses that “Let God Sort Em Out” rewards multiple listens, praising its pacing, vivid storytelling, and a guest list that allegedly includes Kanye West, Ab-Soul, and an unexpected appearance from Lauryn Hill. He claims the LP feels like a concise, 45-minute statement with no filler, asserting that every hook lands and every beat switch serves a narrative purpose. In closing, he labels the album an instant classic and one of the strongest hip-hop releases of the decade, awarding it a “light to decent nine” out of ten.

Only in the final seconds does Fantano cheekily reveal that the entire review is an elaborate April Fools’ prank—“Let God Sort Em Out” doesn’t actually exist. He winks at viewers who fell for the ruse, reminding them to check the date before flooding comment sections with pre-orders.

Share Video

¿Do you like Clipse - Let God Sort Em Out ALBUM REVIEW? Share it with your people...

Playlist